Daniel Keeling

*

Daniel Keeling *

BARITONE | PERFORMING ARTIST

EDUCATOR | CREATIVE

“Daniel is a fine musician who distinguishes himself as one who possesses solid vocal technique, which is both beautiful and expressive."  

Philip Glass, composer


Image by Olimpia Nigris Cosattini

Imagine by Paul Hüttemann


ABOUT

https://linktr.ee/DanielKeeling

Daniel Keeling — a versatile performing artist, educator, and voice teacher — possesses extensive experience interpreting and instructing various genres of vocal repertoire. From music theatre and classical to contemporary commercial music (CCM), he navigates and imparts knowledge across these diverse styles. His performances in various sung theatre and music genres have been featured on esteemed stages, festivals, venues, arenas, and concert halls worldwide, contributing to a growing recognition for his work.

In March 2025, Keeling performed as feature soloist in the UC Irvine Chorale Concert, Finding Light: Alzheimer’s Stories by Robert S. Cohen, conducted by Dr. Irene Messoloras. Presented by UCI Music and UCI Mind (a research center of the Department of Neurobiology and Behavior in the School of Biological Sciences), this concert brought awareness to Alzheimer’s disease.

As a creative, Keeling directed the play Ancestry, a new play by Zachary Price, as part of the inaugural Theater of Community Festival (ToC) in February 2025 at the Claire Trevor School of the Arts’ (CTSA) xMPL Theater. In spring 2024, he co-directed the musical The Prom — a main stage production of UCI Drama.

Daniel has provided background vocals for prominent German pop artist Sarah Connor since 2019, performing in over 100 shows, including three major arena tours and two summer/open-air tours, drawing audiences in the tens of thousands across Germany, Austria, and Switzerland. During the 2022 holiday season, Daniel promoted Connor's Christmas album Not So Silent Night through appearances on German TV shows, radio concerts (Germany and Switzerland), TikTok, and a live show production at Berlin's Verti Music Hall. This Berlin show ran for four nights and was recorded and broadcast as a TV Christmas special throughout Europe's German-speaking countries. Besides participating on her “Herz Kraft Werke Live” Album (DVD/Blu-Ray/CD) and other TV Specials and concerts, Daniel is also featured in Connor's music video "Ring Out The Bells." (1.3 million views to date.)  

A significant career highlight and privilege for Daniel Keeling was his work with composer Philip Glass and poet/songwriter Leonard Cohen on their joint project, Book of Longing (BOL). This captivating piece, a song cycle based on the poetry and artwork of Leonard Cohen, was commercially recorded and toured worldwide. BOL performances garnered international, critical acclaim — with Glass performing in the ensemble, Cohen providing recorded spoken word, and Michael Riesman as music director.

As a formidable interpreter of modern and contemporary classical works, Daniel portrayed Dewain in David Adams' I was Looking at the Ceiling, but then I saw the Sky at Il Teatro dell'Opera di Roma, A Slave in David Lang's Difficulty of Crossing a Field at Peak Performances@Montclair University, and Crown in George Gershwin's Porgy and Bess at the prestigious Sächsische Staatsoper "Semperoper" (Dresden DE), Komische Oper (Berlin DE), Deutsche Oper am Rhein (Düsseldorf), and Theater 11 (Zürich CH) with New York Harlem Theatre. Keeling has interpreted other works by esteemed modern and contemporary classical figures such as Leonard Bernstein, Aaron Copland, Stravinsky, Shostakovich, Harry Partch, Kurt Weill, and more, reflecting his deep understanding and championing of modernistic classical repertoire.

In the realm of standard opera, roles include Figaro in Mozart’s Le Nozze di Figaro, Giorgio Germont in Verdi’s La Traviata, La Voce in Mozart’s Idomeneo, Oroveso in Bellini’s Norma, and Escamillo in Bizet’s Carmen. In the musical theatre branch of sung theatre, credits include Joe/ensemble in On The Town, Benjamin in Joseph and the Amazing Technicolor Dreamcoat, Fred in Smokey Joe’s Cafe, and swing/ensemble of the 1st and 2nd National Tours of the 1994 Broadway Revival of Show Boat — directed by Harold Prince and choreographed by Susan Stroman.

As a featured soloist, Keeling sang with New Zealand's Auckland Chamber Orchestra in Shostakovich's 14th Symphony, joined Germany's Bielefelder Philharmoniker in its presentation of The Motown Soul Symphony and The Michael Jackson Symphony Experience, performed in Robert Beitsch's SoulDance at Berlin's Admiralspalast, held two residencies at A-Trane Jazz Club Berlin, and led The Deja Nova Trio as lead singer in Germany, crafting 20 original songs.

Daniel Keeling has performed at venues and festivals across Europe, North America, and Australasia, including Béla Bartók National Concert Hall (Budapest), Komische Oper (Berlin), Deutsche Oper im Rhein (Düsseldorf), Baden Baden Festspielhaus, Madrid Autumn Festival (ES), Olympic Badminton Theatre (Athens GR), Melbourne International Arts Festival (Australia),  Staatsoper (Hamburg), New Zealand International Arts Festival (Wellington NZ), Festival Internazionale di Villa Adriana (Tivoli IT), Scripps Performing Arts Center in Claremont (California USA), Torino/Milano Musicale Festival Internazionale della Musica (IT), Berlin, Olympiahalle München, Mercedes-Benz Arena Berlin (now the Uber Arena), Hallenstadion Zürich (CH), Wiener Stadthalle Wien (OE), Luminato Festival (Toronto), Wales Millennium Centre (UK), National Theater Concert Hall of Taiwan (Taipei), New Zealand International Arts Festival (Wellington NZ), Festival Internazionale di Villa Adriana (Tivoli), Spoleto USA, Ravinia Festival (Chicago), Lincoln Center's Rose Theater (NYC), the Barbican Centre (London), and the Sydney Opera House, among many others.

In addition to his performing, Keeling serves as assistant professor of teaching in the Department of Drama, specializing in voice instruction for the Music Theatre program at UC Irvine's Claire Trevor School of the Arts.

For Daniel, teaching has also been a part of his vocational trajectory along with performing. Beginning as a music education major specializing in special music education, Daniel earned a BM from Wichita State University (cum laude). He completed his MM at the University of Cincinnati College-Conservatory of Music, where he also pursued an MFA in drama—musical theatre, a distinguished but short-lived program. His voice teachers included Dr. Lavinia Chereches, Randy Mickelson, Dr. George Gibson, and Barbara Reed-Honn.

Before joining UC Irvine, Daniel maintained a vocal studio comprising 25 private vocal students around Germany. He also taught music as a subject at several primary and secondary schools (grade, middle, and high schools) in Berlin.

Daniel is a proud native of Kansas, with the heart of a New Yorker and a European sensibility.

Photo by David Beecroft

Photo by David Beecroft


Highlights and News

2025

Baritone soloist, Finding Light: Alzheimer’s Stories, a choral and chamber orchestral piece by Robert S. Cohen — March 2025

UC Irvine Chorale ConcerT | Dr. Irene Messoloras, conDuctor | Presented by UCI Music and UCI Mind, A Research Center In the Department of Neurobiology and Behavior At the School of Biological Sciences | UC IRvine | Irvine Barclay Theatre | Irvine, Ca USA

Director, Ancestry, a new play by Zachary Price — February 2025

Four performances As part of the inaugural Theater of Community Festival (ToC) | Zachary Price, co Founder and Co-Director | Bryan Reynolds, Co-Director | xMPL Theatre | Irvine, Ca USA

2024

Co-Director, The Prom, a musical by Sklar, Beguelin, and Martin — June 2024

a main Stage production of the Department of Drama | Don Hill, co-Director | Nikki Snelson, choreographer | Claire Trevor School of the Arts | Claire Trevor Theatre | UC IRvine | Irvine, Ca USA

2023

Background vocalist, Sarah Connor Not So Silent Night Tour, 13 Stops, Germany, Switzerland, and Austria — December 2023

Kongresshaus Biel CH | Halle Westfalen OWL Arena DE | Messe Erfurt | Mercedes-Benz Arena Berlin DE (now Uber Arena) | ÖVB-Arena BremenDE | Barclaycard Arena HamburgDE|  TUI Arena Hannover DE | LANXESS Arena Köln DE | König-Pilsener-Arena Oberhausen DE | Porsche Arena Stuttgart DE | Olympiahalle MünchenDE | Wiener Stadthalle Wien OE | SAP Arena Mannheim DE

Background vocalist, Sarah Connor—SOMMER OPEN AIR ’23 Tour, 18 Stops. GermanySummer 2023

Pfungstadt | Büsum | Mönchengladbach | St. Goarshausen (Loreley) | Kassel | Meersburg, Regensburg | Bietigheim-Bissingen | Kempten | Weeze | Cloppenburg | Neubrandenburg | Wolfsburg | Sylt | Bochum | Berlin (Waldbühne) | Hochenheim | Heidenheiman der Brenz

2022

Background vocalist, Sarah Connor Not So Silent Night: Live (Christmas) Shows, TV & Radio Concerts and Promotions, TikTok Special, and Music Video. Germany, Austria, and Switzerland — November and December 2022

“Ring Out The Bells” official music video (Nov 4) | ”3nach9” (TV talkshow), Bremen | Christmas show at the Verti Music Hall(Four showS and recorded Live), Berlin | Obertauern OE | TikTok Live Christmas concerT | Sat1’s breakfast show, Berlin | Radio NRW Christmas concert, Velbert DE | NDR Talkshow “XXL,” Hamburg | Radio Christmas concert, Luzern CH | Broadcast of “Sarah Connor—NOT SO SILENT NIGHT Live TV Christmas Concert,”German, Austria, and Switzerland

Background vocalist, Sarah Connor Open-Air-Konzert — HERZ KRAFT WERKE Summer Tour 2022 Spring 2022

Müllrose DE | Bad Segeberg DE | Graz At |  Landsweiler DE | Schiffweiler DE | Open Air Sparkassen Park Mönchengladbach DE | Rhein-Main Congress Center Wiesbaden DE | Bibera DE | Ulm/Wiblingen DE |  Rostock DE | Meppen DE | Magdeburg DE | Telekom Bonn DE | LEIPZIG DE | GoslaR DE | Schloss Herrenhausen Hannover DE | Butzbach DE |  Dortmund DE | open air Wien AT | Fulda DE | Vechta DE | volkspark Mainz DE | Tüßling DE | Waldbühne Berlin DE | Salem DE | barockgarten am Festspielhaus Füssen DE | Schwetzingen DE | Braunschweig DE | Apolda DE | Willingen DE | Residenzschloss Ludwigsburg DE | Bonn DE | Essen DE | Halle Westfalen OWL Arena DE | Bruchsal DE | Bremerhaven DE | Hemer DE | Schlossplatz Coburg DE | open air Dresden DE | Beverungen DE | Finsterwalde DE


Background vocalist, Sarah Connor — HERZ KRAFT WERKE Spring Tour 2022

Wunderino Arena Kiel DE | ÖVB-Arena Bremen DE | ZAG Arena Hannover DE | König-Pilsener-Arena Oberhausen DE | Immobilien ARENA Leipzig DE | Mercedes-Benz Arena Berlin DE | IGA Parkbühne Wien OE | Westfalenhalle Dortmund DE | Olympiahalle München DE | LANXESS Arena Köln DE | Barclaycard Arena Hamburg DE


2021

Soloist with the Bielefelder Philharmoniker in a co-presentation of THE MOTOWN SOUL SYMPHONY and THE MICHAEL JACKSON EXPERIENCE — September 2021

Bielefelder PhilHarmoniker | Anne Hinrichsen, Conductor | Strandkorb Open Air 2021 | Bielefeld DE

Feature Singer, SOULDANCE — September 2021

PRODUCTION and DirectIon Robert Beitsch | ADmiralspalast | Berlin DE


2020


Baritone Soloist in “I, TOO, SING AMERICA" - LEONARD BERNSTEIN'S "SONGFEST" IN BERLIN — September 2020

Production and Musical DIRECTION by GARRETT KEAST (conductor) | Theater im Delphi | Berlin DE

https://www.garrettkeast.com/news-ideas-input/2020/8/31/leonard-bernsteins-songfest-performed-in-berlin) |


2019

ProSieben IN CONCERT: Sarah Connor. The concert was televised on Thursday, the 12th of December, 2019 on Germany’s TV channel ProSieben from 11:35 pm - 12:35 am

ProSieben Production | Filmed At BLACK BOX Music | Berlin DE

Background vocalist (with Ingrid Arthur’s GVOA) for German pop vocalist Sarah Connor on her HERZ KRAFT WERKE Fall Tour 2019 and HERZ KRAFT WERKE LIVE as Album, DVD, and Blu-ray| Tour dates: 25.10 — 12.11.2019, and 1. 2. & 3.12.2019.

Messenhalle Erfurt DE | Mercedes-Benz Arena Berlin DE | ÖVB Arena Bremen DE | Barclaycard Arena Hamburg DE | TUI Arena Hannover DE | König Pilsener Arena Oberhausen DE | LANXESS Arena Köln DE | Porsche-Arena Stuttgart DE | SAP Arena Süd Mannheim DE | Hallenstadion Zürich CH | ARENA LEIPZIG DE | Olympiahalle München DE | Festhalle Frankfurt DE | Wiener Stadthalle OE

Background vocalist, opening performance for the 71st BAMBI AWARDS 2019 with Sarah Connor, recipient of the Bambi German (National) Music Award of 2019 — November 2019

71st Bambi Awards show | Festspielhaus Baden-Baden| Baden-Baden DE

2018

Feature Singer, SOULDANCE — September 2012

PRODUCTION and DirectIon Robert Beitsch | ADmiralspalast | Berlin DE

2017-2015

Featured singer, MY MOTOWN SOUL a residency at Berlin’s A-Trane Jazz Club and Album recording (2018). (Available on all Music Streaming and Purchasing Platforms).

JC DOOK, MUSICAL DIRECTOR AND PRODUCER | Germania Music gmbh, PRODUCER | Berlin De | https://my-motown-soul.de



Featured singer, A SOULFUL BEATLES a residency at Berlin’s A-Trane Jazz Club

JC DOOK, MUSICAL DIRECTOR AND PRODUCER | Germania Music gmbh, PRODUCER | Berlin De | https://my-motown-soul.de


2015

Dewain (role), I was Looking at the Ceiling, but I saw the Sky, by John Adams, Il Teatro dell'Opera di Roma, Debut — September 2015

LIbretto BY June Jordan | MUSIC BY John Adams | Stage direction by giorgio Barberio Corsetti |Conducted By Alexander Briger | IL TEATRO DELL’ OPERA DI ROMA | Roma It

https://www.operaroma.it/en/shows/opera-i-was-looking-eng-2015/

2010

Germont père, in LA TRAVIATA.

Musical DIRECTION by Joseph Rescigno (conductor) | Montefeltro Festival | Montefeltro IT

2010 - 2008

Crown, Porgy and Bess, New York Harlem European Tour and Production

ProduCtion and Musical Direction by William Barkhymer (conductor) | New York Harlem TheatRe | Komische Oper (Berlin DE) | Deutsche Oper am Rhein (Düsseldorf DE) | Sächsischen Staatsoper (Dresden DE) | Theater 11 (Zürich CH)

2009 - 2007

Baritone soloist, Book of Longing, International Tour, composer Philip Glass, poet/songwriter Leonard Cohen 


Sydney Opera House (sYdney AusTralia)| Barbican Centre (London) | Rose Theater at Lincoln Center(NYC) | Ravinia Festival (Chicago) | Luminato Festival (Toronto) | Noord Nederlands Orkest De Ooterpoort (Groningen NL) | National Theater Concert Hall of Taiwan (Taipei) | Wales Millennium Centre (UK) | Spoleto Festival USA (Charleston SC USA)| Béla Bartók National Concert Hall (Budapest) | New Zealand International Arts Festival (Wellington NZ) | Festival Internazionale di Villa Adriana (Tivoli IT) | Scripps Performing Arts Center in Claremont (California USA) | Torino/Milano Musicale Festival Internazionale Della Musica (Torino and Milano It) | the University of Texas Performing Arts Center (Austin, TX USA) | Adelaide Festival of Arts (Australia) | Melbourne International Arts Festival (Australia) | Stanford Lively Arts (California USA) | Madrid Autumn Festival (ES) | Olympic Badminton Theatre (Athens GR)

POETRY by Leonard Cohen | Music by Philip Glass | Music Direction by Michael Reisman | stage direction by Susan Marshall | PRODUCTION BY POMEGRANATE ARTS | Recorded under Orange mountain music (in 2007) | available on alL Music streaming and purchasing Platforms.

https://www.pomegranatearts.com/project/book-of-longing/

2006 - 2005

A Ghost Slave (role), The Dificulty orf Crossing a Field by David Lang, Peak Performances at Montclair (New Jersey US) in association with Ridge Theater (New York City) — 2006

Stage direction By Bob Mcgarth (Both works) | “Difficulty” MUSICAL direction By alan Johnson (Conductor) | PEAK PERFORMANCES, Alexander Kasser theater | MONTCLAIR NJ (USA)

Tiresias (role), Oedipus Rex by Harry Partch, Peak Performances at Montclair (New Jersey US) in association with Ridge Theater (New York City) — 2005

Stage direction By Bob Mcgarth (Both works) | “Oedipus” by musical direction by Dean Drummond (conductor) | PEAK PERFORMANCES, Alexander Kasser theater | MONTCLAIR NJ (USA)

https://www.peakperfs.org/kasser-theater-shows/

https://ridgetheater.org/PastWork.html

2005 - 2004

Bass soloist, Shostakovich Symphony No. 14, Auckland Chamber Orchestra —2005

The Voice of the Oracle of Neptune (role), Idomeneo (Mozart), Auckland Opera Studio — 2004

Musical Direction by Peter Scholes (conductor of Both works) | Auckland Chamber Orchestra (Both works) |Auckland Opera Studio (“Idomeneo”) | Concert Chamber of Auckland Town Hall | Auckland Nz

2002

Fred (role), Smokey Joe’s Cafe (Leiber and Stoller), TheatreWorks in Silicon Valley

MUSICAL DIRECTION AND CHOREOGRAPHY BY Linda Goodrich | TheatreWorks Silicon Valley | Palo alto CA USa

https://theatreworks.org/about-us/production-history/

1998

Swing/Ensemble Member, Show Boat (Hammerstein and Kern), 1st and 2nd National Tours of the 1994 Broadway revival

Produced by Livent, Inc. | Directed by Harold Prince | Livent Associate Resident Director: Niki Harris | Choreographed by Susan Stroman | USA And Canada

https://www.ibdb.com/broadway-production/show-boat-4269

Reviews

 
 

Book of Longing (Glass)

“…Daniel Keeling’s bass-baritone singing was majestic”. 

 – Philip Clark ,Gramophone, June 5, 2007.

“Keeling was jazzily sexy, especially when he got to roll around in the bottom of his range.”

— Joanne Sydney Lessner, Opera News Online, July 2007. 

“Daniel Keeling provided electrifying resonance, especially in his lowest register…” 

– Joshua Rosenblum, The Post and Courier/Charleston,June 8, 2007

“I always thought of Broadway when bass-baritone Daniel Keeling was at the microphone…”

— Robert Everett-Green, The Globe and Mail, June 2, 2007

[Daniel] Keeling’s elegant and understated stage presence anchored much of the concert visually, especially when all four singers were moving around onstage at the same time.”

— BK Drinwater, Salient (Wellington, NZ), March 17, 2008

The Tender Land (Copland) 

“…[Grandpa Moss was] tough, old-fashioned and protective…”   

 – Vivien Schweitzer, The New York Times, January 23, 2007. 

Oedipus (Harry Partch)

 “Daniel Keeling made Tiresias a mad preacher, with a bit of Ray Charles thrown in.”  

— Alex Ross, The New Yorker, April 18, 2005

Idomeneo (Mozart)

“The climax for many was the appearance of Zeus (La Voce), as memorable for the Wagnerian premonitions of Mozart’s bass writing as it was for Daniel Keeling’s resonant pronouncements”

 – William Dart, The New Zealand Herald, August 4, 2004 

 

548686E6-E9F8-404C-8037-FC363C0808CA.jpeg

All the Above Theatrical Photos are From Il Teatro dell’Opera di Roma’s production of I Was Looking At The Celling A Then I Saw The Sky (David Adams) and were taken by Olimpia Nigris Cosattini (2015).